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BBC Radio Player Bit Rates


14th March 2005

The following table shows the BBC Radio Player's 30 most-listened-to shows along with the bit rates used:

 

Position Show Station Number of Listeners Bit Rate
(kbps)
1 The Archers Radio 4 456,975 46
2 Chris Moyles Radio 1 311,625 33
3 I'm Sorry I Haven't A Clue Radio 4 252,618 45
4 Essential Mix Radio 1 187,029 32
5 The Essential Selection Radio 1 178,805 33
6 Dance Anthems Radio 1 153,493 33
7 The Official Chart Show Radio 1 143,186 33
8 The Afternoon Play Radio 4 127,133 45
9 Judge Jules Radio 1 117,836 33
10 I'm Sorry I Haven't A Clue BBC7 109,762 45
11 Jonathan Ross Radio 2 100,418 33
12 Terry Wogan Radio 2 96,482 32
13 Gilles Peterson Radio 1 91,957 32
14 Today Radio 4 89,017 47
15 Blue Room Radio 1 88,540 33
16 Lamacq Live Radio 1 83,912 33
17 The News Quiz Radio 4 71,497 48
18 The M1X Show 1Xtra 70,464 33
19 Book of the Week Radio 4 64,258 46
20 Annie Mac Radio 1 61,730 32
21 The Radio 1 Rap Show Radio 1 61,478 32
22 In Our Time Radio 4 55,666 -
23 Sounds of the 60s Radio 2 55,553 33
24 The Consultants Radio 4 55,015 -
25 Fighting Talk Radio 5 54,901 33
26 Annie Nightingale Radio 1 53,445 32
27 Book at Bedtime Radio 4 52,397 46
28 Mark Radcliffe Radio 2 49,314 33
29 Nebulous Radio 4 44,905 46
30 6-0-6 Radio 5 44,054 33

 

The bit rates listed were those observed after the shows had been playing for about 15 minutes, because the bit rate initially displayed is far higher than the actual bit rate due to the buffer filling up very quickly (when using broadband). Using the above bit rates along with bit rates observed for shows on the other BBC stations available on the Radio Player, the bit rates of the Listen Again shows for the stations are as follows:

Station Radio Player Bit Rate
(kbps)
Radio 1 33
Radio 2 33
Radio 3 33
Radio 4 46
Radio 5 33
6 Music 46
BBC7 46
1Xtra 33
Asian Network 33
World Service 17
Radio Cymru 46
Radio nan Gaidheal 33
Radio Scotland 46
Radio Ulster 33
Radio Wales 46

 

There's clearly 2 bit rate levels that are usually used, along with the World Service using a significantly lower bit rate than all the other stations. But what's most bizarre is the choice of which radio station uses which bit rate (and hence audio quality, because it is the bit rate that sets the level of audio quality), because the decisions seem to be entirely random and not based on theory at all. For example, it is widely known that speech requires a lower bit rate than music to attain a given level of audio quality, and yet of the BBC's network radio stations, Radio 4 and BBC7 both use the higher 46kbps bit rate, whereas all of the BBC's music network radio stations other than 6 Music use the lower 33kbps bit rate.

Given the above findings you have to wonder about the competence of the people that make the decisions regarding bit rates at the BBC, and if you compare the relative bit rates on the different digital platforms with the relative bit rates of the BBC Radio Player then the decisions are either highly hypocritical or simply ineptly chosen because, on digital TV, both 6 Music and BBC7 use a lower bit rate than Radios 1-4, whereas on the Radio Player they use the higher bit rate; and Radio 3 on DAB usually uses 192kbps whereas Radio 4 uses 128kbps and BBC7 only 80kbps mono.

A good example of speech requiring lower bit rates than music is voice encoding for mobile phones where the bit rate used for GSM phone calls is only between 13kbps when using the Full Rate (FR) codec down to as low as 5.6kbps for the Half Rate (HR) codec, with the newer Enhanced Full Rate (EFR) using 12.2kbps. Although the bandwidth used for telephony is significantly lower than for broadcasting, such low bit rates are unimaginable for music, or at least unimaginable for music that people could bear to listen to.

Unfortunately, it seems likely that the bit rate levels for the stations on the Radio Player were set by people high up in BBC Radio who either have no understanding of audio coding principles and the result is a hotch-potch of randomly-allocated bit rates that bears no resemblance to theoretical requirements. Thankfully, the BBC iMP (interactive media player) will hopefully make these bit rate allocations academic, because the rumour is that the iMP will use 128kbps WMA9/10 to encode the radio shows, and WMA9/10 is used for some of the legal music download services (such as Napster and mycokemusic.com) and if listening test results are anything to go by then the radio shows on the iMP should be higher quality than any of the other digital platforms that the BBC radio stations are available on. But what these bit rate allocations certainly do is shed some light on the competence of the decision-makers in BBC Radio with regards to technical decisions, and I'm afraid they're found to be badly wanting.
 
 

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